Unlike in any other Beethoven work, the forceful rhythm dominates everything, even the melody. It is also derived from the rhythm of the main theme. The 2nd secondary theme follows immediately. The 1st secondary theme occurs, to be imitated soon after. The 3rd bar of the main theme starts the modulation to the secondary theme. The rhythm of the main theme remains the decisive element for the further development of the themes in this movement, also in an epilogue which continues the themes. First sounded by the woodwinds, the theme is continued and taken up in fortissimo by the first violins. The slow introduction of the symphony leads to a quick 6/8 time, from which the main theme of the 1st movement is derived. Throbbing string 16th-notes, exciting interval steps - covering 2 octaves to the bottom - initiate the change from 4/4 to 6/8 time within the 1st movement, which maintains this basic rhythm. The tension is solved - like at its first presentation - in the piano sounds of the 3rd theme in C major. The first motif of the introduction recurs in fortissimo, together with the 2nd motif, the ascending scales. The musical illustration reaches a point of rest in C major, in which a 3rd motif of the introduction is presented. The first motif (half-notes) combines with the 2nd motif, the chain of scales. Scales in a 16th-note movement provide an interesting contrast. The motif is alternated in oboe, clarinet, horn, bassoon, oboe. This symphony can be called "Gospel of joy".īeethoven uses an expanded, modified classical sonata form.Ĥ brief chords of the whole orchestra - in two-bar intervals - open the slow introduction with a four-note motif (1st motif of the introduction), which has been gained from the A-major triad. S ymphony no.7: 1st movement: Poco sostenuto It does not store any personal data.Version of this article in the new AEIOU. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is used to store the user consent for the cookies in the category "Other. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. One example is the climactic scene from the 2010 Academy Award Best Picture winner, The King’s Speech.
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It has been featured in countless adverts, TV shows and movies. The sombre second movement is probably the most well-known movement within the work.The sheer physical energy of the work – expressed in bracing, muscular rhythms – can, in some performances, border on the unnerving.’ While Wagner described it as ‘the apotheosis of the dance.
#Beethoven 7th symphony analysis full#